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CMYK VS RGB Printing: Which Is Better

Time: 2024-06-07 Hits: 21

Understanding the definition and differences between CMYK vs RGB printing is matter to make sure your designs translate accurately from screen to print.

cmyk vs rgb

Choosing the right color mode is crucial for achieving the desired print results, whether for branding, advertising, or essential print materials. CMYK (Cyan, Magenta, Yellow, and Key/Black) and RGB (Red, Green, and Blue) are two distinct color systems, each designed for specific purposes.

CMYK printing is the industry standard for offset printing, ensuring accurate color reproduction on physical media. The RGB color mode is optimized for digital displays, allowing a wider range of colors (color gamut) to be displayed on the screen.

What is CMYK?

cmyk colors printingCMYK color, also known as full color or four color printing, which is an printing abbreviation that stands for Cyan, Magenta, Yellow, and Key (Black). It refers to the four primary colors of pigments used in most full color printing processes.

Description of the four colors

Cyan: A blue-green shade that absorbs red light.

Magenta: A reddish-purple shade that absorbs green light.

Yellow: A bright, lemon-like shade that absorbs blue light.

Key (Black): A true black ink that absorbs all light wavelengths.

Purpose of each color in printing process

The CMYK model works by partially or fully masking colors on a lighter (usually white) background. The inks reduce light that would otherwise be reflected, creating a subtractive color model. This means that the inks “subtract” red, green, and blue colors from white light; you get cyan from red, you get magenta from green, and you get yellow from blue.

In four-color printing, each image is divided into cyan, magenta, yellow, and black according to the color of a specific dot pattern. The size and frequency of these dot patterns vary, and any combination of colors can be formed with a small amount of ink. Applied as tiny dots on the substrate(e.g. paper, cloth), the four CMYK colors are combined together to create the visual effect we know as full-color printing.

The key (black) ink serves several purposes:

Outlines solid or tint color areas. As traditionally marked by a red keyline on the black line art.

Printing text and fine details. As using three inks would require impractically accurate registration to avoid blurring.

Prevents excessive ink soaking. It can cause bleeding, slow drying or weakening of low quality paper, for example newsprint.

Producing a richer and deeper black than the combination of cyan, magenta and yellow inks, which often results in a muddy color.

Economical. It is cheaper than the combination of colored inks required to black.

It is less expensive than the combination of colored inks required to create black

What’s RGB

rgbThe RGB color model is short for red, green, and blue primary colors of light are added together in various ways to reproduce a broad array of colors. It is the fundamental color model used for the sensing, representation, and display of images in electronic systems, such as televisions and computers. Though it has also been used in conventional photography and colored lighting.

The RGB way of coding

RGB is a device-dependent color model, meaning that different devices detect or reproduce a given RGB value differently. As the color elements (such as phosphors or dyes) and their response to the individual red, green, and blue levels vary from manufacturer to manufacturer or even in the same device over time.

To form a color with RGB, three light beams (one red, one green, and one blue) must be superimposed, either by emission from a black screen or by reflection from a white screen. Each of these three beams is called a component of that colo. And each component can have an arbitrary intensity, ranging from fully off to fully on, in the mixture.

Properties of RGB

Additive color model: The RGB color model is additive in the sense that if light beams of differing colors (frequencies) are superposed in space. Their light spectra add up, wavelength for wavelength, to make up a resulting, total spectrum.

Color representation: In the RGB model, each color is represented by a combination of red, green, and blue values, with each value ranging from 0 to 255 (8 bits). This translates into millions of possible colors, specifically 16,777,216 (2^24) colors.

Digital displays: The RGB color space is a color representation method used in electronic displays, such as computer monitors, digital cameras, and various types of lighting. Before the electronic age, there was no such thing as an electronic display, so the RGB color model did not exist.

RGB components

To create a color model suitable for electronic displays, scientists needed a way to represent colors electronically. They came up with three components: red, green, and blue, chosen because humans can easily perceive these primary colors.

Each of these components contributes to the final color displayed on the screen:

Red: The red component determines the amount of red in the color.

Green: The green component determines the amount of green in the color.

Blue: The blue component determines the amount of blue in the color.

Through adjusting the intensity levels of these three components, any color within the visible spectrum can be created and displayed on an electronic screen.

Why use CMYK for Printing

CMYK (Cyan, Magenta, Yellow, Key/Black) is the color space for printed materials. The printing machine creates images by combining CMYK colors to varying degrees with physical ink. This is known as subtractive mixing. All colors start as blank white, and each layer of ink reduces the initial brightness to create the preferred color. When all colors are mixed together, they create pure black.

cmyk offset printing

Printing industry standard

CMYK color, also known as full color or four color printing, which is an printing abbreviation that stands for Cyan, Magenta, Yellow, and Key (Black). It refers to the four primary colors of pigment used in four-color process printing.

The CMYK color model is fundamental in the printing industry, dictating how colors are mixed and applied on paper.

Subtractive color spectrum

CMYK is a subtractive color spectrum. This means that these inks mask colors on a lighter background (like white paper). The CMYK ink subtracts the red, green, and blue from white light and leaves the Cyan, Magenta, and Yellow. Black is the absence of color.

The CMYK color model works by partially or entirely masking colors on the lighter surface (paper or substrate). The ink reduces the light that would otherwise be reflected.

Optimal results on printed materials

Use CMYK for any project design that will be physically printed, not viewed on a screen. If you need to recreate your design with ink or paint, the CMYK color mode will give you more accurate results.

Turn to CMYK printing if your project involves:

Branding: business cards, stationery, stickers, signs & storefronts

Books: photo books, children’s books, art books, comics & mangas, etc

Marketing collateral printing: billboards, posters, catalogs, flyers, calendars, brochures

Other print materials: product packaging, restaurant menus, T-shirts, hats and other branded clothing, etc.

Richness and vibrancy

In conclusion, CMYK is the industry standard for printing because of the science behind the color space and the substrate. Ink on paper must use the CMYK color space to achieve the best results by creating an unlimited number and shades of color. CMYK will produce full, dark, bright, rich, and vibrant colors to bring your project on paper to life!

As we embrace the latest advancements in printing technology, the significance of the CMYK color model remains unchanged. Its ability to produce an extensive range of colors and shades ensures that printed materials come to life with richness and vibrancy.

CMYK vs RGB Printing: How to Choose

rgb vs cmyk printingCMYK vs RGB color modes: the difference

The biggest difference between the RGB and CMYK color mixing modes is what designs they’re used for. RGB color mixing is the primary color mode for digital designs (like web, TV or phone files). The CMYK mode is used for printed designs (like books, collateral, catalogs, packages or cards).

Aside from this main difference, RGB and CMYK color modes also differ in their primary colors, mixing mode, maximum color yield and more. RGB is an additive process where light creates colors. In this mode, red, green and blue are the primary colors, and they combine to create a white light. You can consider CMYK the opposite. In this mode, pigment creates the color and mixing is a subtractive process. Cyan, magenta and yellow are the primary colors, and they combine to create black. (Black is the “K” in “CMYK.”)

RGB mode creates the maximum color combinations, with 16.7 million colors compared to CMYK’s 16,000 possibilities. Despite having more color possibilities, RGB files are usually smaller than CMYK files.

Subtractive vs additive color mixing

RGB color mode uses red, green and blue as its primary colors. Because it uses light to define color, it’s best used in digital projects like those displayed on smartphones or computers. Digital media has red, green and blue bulbs, which shine at different intensities to display color on LED screens. These bulbs try to mimic the red, green and blue color receptors in human eyes, known as cones.

CMYK stands for cyan, magenta, yellow and black. This subtractive mixing process uses pigment to define color and uses layering to create new colors. You can try this with some food coloring at home. Red food coloring mixed with yellow will show you orange.

Because the cyan, magenta and yellow pigments in printers are too transparent, black ink is also used in a separate cartridge. This is because even if you were to layer cyan, magenta and yellow at the same time, the color would not be opaque enough to produce black.

RGB is an additive color space; you get white when the colors are added together. CMYK is present in the subtractive color space; white is simply the absence of other colors.

Digital displays use additive colors. They use pixels with variable intensities of red, green, and blue to produce nearly 16 million different colors. In contrast, printed material employs subtractive hues. The printers combine dots of cyan, magenta, yellow, and black to print over 16,000 colors.

CMYK vs RGB: the applications

CMYK is almost always used for printed designs. So if you see any of the following projects in your pipeline, start designing in CMYK to avoid converting later on.

RGB:

web logo and ads

Social media pictures and backgroups

Video and gifs

Web buttons or graphics

CMYK

Books and marketing materials

cards & stickers

Product packages

other printing material, like T-shirt, menus, etc

Ready to print your designs? Try using one of these rich black color combinations instead of the standard black ink that comes with most CMYK printers. This will also help you avoid problems that can arise with using the typical printer’s black ink. These problems could include a diluted shade of black, raising and bumping, or oversaturation of ink.

Use the RGB color mode if your design project’s final form is going to be viewed on a digital screen like a computer, a phone, a tablet, a TV, a camera, etc. While subtractive color systems like CMYK are common in printed materials, additive color systems are the norm in digital imaging.

Since digital displays can produce many more colors than printed inks or dyes, this can impact on how accurately colors are reproduced. If your design is going to be viewed on a digital display, use the RGB format. On the contrary, if your design is going to be on a printed material, you’ll be better off using the CMYK color space.

Color Gamut and Conversion

color gamutDefinition of color gamut

A color gamut is the set of colors that a device or medium can produce. It represents the full spectrum of colors that can be displayed or printed. A color gamut is usually represented by a shape on a color space diagram, such as the CIE 1931 XYZ color space. The larger the shape, the more colors the device or medium can produce.

Different types of color gamuts exist, depending on the device or medium. The most commonly used are RGB, CMYK, and Pantone:

RGB stands for red, green, and blue and is used for devices that emit light, such as monitors and scanners. This color gamut is usually larger than others because it can produce a wide range of colors by mixing different intensities of light.

CMYK stands for cyan, magenta, yellow, and black and is used for devices that absorb light, like printers and presses. This color gamut is usually smaller than RGB because it can produce fewer colors by mixing different amounts of ink.

Pantone has its own system of standardized colors called Pantone Matching System (PMS). These pre-mixed inks are used for printing logos or branding applications that require precise color matching. Pantone’s color gamut is smaller than CMYK’s because it has a limited number of colors available.

Limitations of CMYK color gamut

The CMYK color model is one of the most widely used color models in the world, but it is not without its limitations. The most significant limitation is that it is limited to only four colors: cyan, magenta, yellow, and black. This limited color palette can be a challenge when printing complex images with a wide range of colors.

Besides, the CMYK color model is not capable of reproducing the full range of colors that can be seen in the visible spectrum, meaning some colors may appear dull or muted when printed.

The range of colors that can be produced by the CMYK model is determined by the inks used in the printing process. These inks are usually limited to the standard CMYK colors and may not accurately reproduce colors outside of the standard gamut.

If an image contains colors outside the CMYK gamut, they may appear distorted when printed in CMYK. Due to the limited range of colors, some images may appear flat or dull when printed in CMYK.

Color gamut limitations in printing refer to the differences between the colors seen on a monitor and the colors produced in printed output. Factors such as printer type, ink, paper, coating, lighting, and viewing environment can affect color reproduction.

Process of converting RGB to CMYK

When RGB files are converted to CMYK to print on a four-color printer, there are generally color shifts. Usually, these shifts are minor, but they can be an issue, especially if your project is color-sensitive. This is because RGB has a much larger gamut than CMYK, which is why there are color shifts when converting from RGB to CMYK.

To convert an image from RGB to CMYK in Photoshop, open the image and navigate to Image > Mode > CMYK. But, this method does not offer much control over the conversion process.

convert rgb to cmyk

A better approach is to use the “Convert to Profile” option in the Edit menu. This allows you to select a target CMYK profile and a rendering intent appropriate for your image. For example, if the relevant image colors are out of the target’s gamut, select the Perceptual rendering intent; otherwise, select Relative Colorimetric. If you select Relative Colorimetric, it’s also a good idea to check “Use Black Point Compensation” .

When converting between profiles, it’s recommended to play around with the rendering intents while the “preview” is enabled. This allows you to quickly evaluate the best conversion setting.

If the colors chosen in RGB don’t convert properly to CMYK, they are probably out-of-gamut for your CMYK profile. In such cases, you can explain to your customer that web colors (viewed on a monitor) are generally more saturated than printed colors, and the average consumer eye adapts to the color difference between the two.

Using CMYK in Design Software

Setting color mode in popular design software

In the CMYK mode, each pixel is assigned a percentage value for each of the process inks. The lightest (highlight) colors are assigned small percentages of process ink colors, while the darker (shadow) colors are assigned higher percentages. For example, a bright red might contain 0% cyan, 100% magenta, 100% yellow, and 0% black. In CMYK images, pure white is generated when all four components have values of 0%.

Use the CMYK mode when preparing an image to be printed using process colors. Converting an RGB image into CMYK creates a color separation. If you start with an RGB image, it’s best to edit first in RGB and then convert to CMYK at the end of your editing process.

In RGB mode, you can use the Proof Setup commands to simulate the effects of a CMYK conversion without changing the actual image data. You can also use CMYK mode to work directly with CMYK images scanned or imported from high-end systems.

Although CMYK is a standard color model, the exact range of colors represented can vary, depending on the press and printing conditions. The CMYK Color mode in Photoshop varies according to the working space setting that you specify in the Color Settings dialog box.

Best practices for designing in CMYK

In the world of graphic design and printing, mastering color is an essential skill. Whether you’re creating a stunning catalog, a vibrant flyer, or a beautiful children’s book layout, understanding color is crucial to achieving the desired visual impact.

CMYK stands for Cyan, Magenta, Yellow, and Key (Black). It is a subtractive color model used in the printing industry to reproduce a wide range of colors by mixing these four ink colors.

Unlike the RGB (Red, Green, Blue) color model used for digital screens, which adds light to create colors, CMYK subtracts color to achieve the desired hue. Understanding this fundamental difference is key to producing accurate and vibrant printed materials.

When designing for print, it’s vital to work in the CMYK color mode from the outset. Here’s why:

Color accuracy: CMYK was designed specifically for printing. Thus, working in this color space ensures that the colors you see on your computer screen will be very close to the colors in the final printed product.

Ink limitations: Unlike digital displays that can produce millions of colors, printers can only reproduce a finite range of hues. By designing in CMYK, you can optimize your color choices to fit within these limitations.

Consistency: Designing in CMYK ensures consistency across different print jobs and printers, reducing the risk of unexpected color variations.

Always work with the appropriate CMYK color profile for your printer or print service provider.

Create and use CMYK color swatches in your design software. This helps you maintain consistency and ensures that you use the same color values throughout your project.

For black text and elements, use rich black (C30 M30 Y30 K100) rather than plain black (K100) to enhance print quality and depth.

Most design software offers a color separation preview tool, allowing you to see how your design will be separated into the four ink colors. This helps you catch any potential issues before sending your file to the printer.

FAQ about CMYK vs RGB printing

What CMYK file is best for printing?

The choice of file format depends on the printer’s requirements. Here are some common CMYK color file, includes PDF, EPS and AI.

What color mode should be used for the highest quality printed materials?

For the highest quality in printed materials, CMYK is the recommended color mode. While digital screens display colors in RGB, printers operate using the CMYK model. It’s important to note that converting an RGB design to CMYK may not perfectly replicate the colors on print as they appear on screen, depending on the printer’s capabilities.

CMYK vs RGB: which color system is preferable for printing?

CMYK and RGB are both color modes used in graphic design, but they serve different purposes. RGB is ideal for digital projects because it mixes light to create colors, whereas CMYK combining cyan, magenta, yellow, and key (black) inks to create depth and accuracy in print colors, making it the preferred choice for achieving true-to-design hues in printed materials.

cmyk or rgb for printing

What are the advantages of using RGB mode over CMYK for digital purposes?

RGB has a broader color gamut compared to CMYK, meaning it can represent a wider range of colors. This makes RGB more suitable for digital displays, as it can produce more vibrant, saturated, and bright images. However, these colors might appear duller or less intense when printed in CMYK due to the narrower color gamut of the print process.

How to convert RGB to CMYK in Photoshop or Illustrator for printing?

To convert an image from RGB to CMYK in Photoshop, open the image and navigate to Image > Mode > CMYK. But, this method does not offer much control over the conversion process.

A better approach is to use the “Convert to Profile” option in the Edit menu. This allows you to select a target CMYK profile and a rendering intent appropriate for your image. For example, if the relevant image colors are out of the target’s gamut, select the Perceptual rendering intent; otherwise, select Relative Colorimetric. If you select Relative Colorimetric, it’s also a good idea to check “Use Black Point Compensation“.

When converting between profiles, it’s recommended to play around with the rendering intents while the “preview” is enabled. This allows you to quickly evaluate the best conversion setting.

In Illustrator, to change the color mode, select all objects in your document. Navigate to Edit > Edit Colors and select your desired color space.

If you drag and drop a design from Photoshop to Illustrator, the color will be converted to the color profile active in Illustrator (Menu -> Edit -> Color Settings). It’s recommended to prepare the designs with the same color settings in both Photoshop and Illustrator before drag&drop or place (Menu -> File -> Place).

Why you need to convert RGB images to CMYK for printing?

The RGB gamut is larger than the CMYK gamut. It is exceptionally possible to have RGB colors which cannot be reproduced via CMYK inks. Auto-conversion will use a “best guess”. These guesses are generally fairly accurate… but not always.

It’s a matter of preference as to how much control you want over your colors – particularly the CMYK colors. If you aren’t overly finicky about color, then auto-conversion may be fine for you.

However, if you’re creating a layout by combining lots of photos in InDesign or Illustrator, then, again: convert and set the profile upon exporting the PDF, not the original photo.

One option with digital print providers is first to print a small sample of a color chart, one in RGB and the other in CMY. And no, not every provider will do the conversion for you in the cases mentioned. They need you to specifically send CMYK channels. For example, you send an RGB file with text in black. The conversion will produce a combination of CMY+K which you do not want. The file must be in CMYK.

Remember, there are several CMYK profiles: Uncoated paper, coated paper, American standards, European, etc. They have different characteristics. You must send the file accordingly, and not leave an important step to someone else.

The canonical method to handle color conversion problems is using ICC profiles for all involved devices and software that can handle them. The ICC specifically had this task. So you need to get an ICC profile for your monitor and all the different printers, maybe even several profiles for different humidities.

Then you combine the profile of the device used to create the document with the document itself, and either you convert it to the profile of the output device if your printer provides the profile, or the printer does the conversion.

Does CMYK look brighter when printing?

There is a tendency for printed material to seem darker than what you see on screen. Screens are backlit and send light at your eyes. Paper isn’t and requires light to be reflected back to your eyes. Even though a color can be measured to be similar on screen and print, it can be perceived differently in experience.

Another thing is that printed materials aren’t always viewed under ideal conditions. A print can have many details in the dark areas which can be seen in bright sunlight, but are lost when you view the print in a darker environment.

It’s recommended to correct images to be a little too bright on screen before converting to CMYK. As it makes better prints which can also be viewed under less than ideal conditions.

The same goes for color swatches, which should be made just a little bit brighter and more saturated on screen than what is expected on print. But that’s hard to put on a formula – it’s a matter of experience and taste.

Sometimes it’s better not to pick a “more saturated” or “brighter” color than the one rendered with the color profile, but to choose one cleaner, achromatic. Instead of darkening a color with the complementary one, sometimes it’s preferable to use black

Your color probably could be darkened with some cyan instead of black, let’s say 4, 100, 75, 0, but if the proportion of the cyan varies, it will also change the hue a bit, so it has sense to use k instead.

Remember that, in order for this to work, you need a calibrated monitor, ideally a design grade one, a good working environment, and a viewing station for the printed material with correct illumination. This light is pretty strong, so, probably the printed image will look brighter than your average desktop lamp.

How to convert Pantone to CMYK for printing?

Pantone (or PMS) is a color system that manufacturers use to keep their color palettes consistent. According to Wikipedia, there’s a set of Pantone colors that can be printed and reproduced using CMYK.

To convert a file from PMS to RGB, you can use an online converter tool. At Pantone.com, they have a free color converter. You can switch from PMS to CMYK in a flash. They also offer Pantone books to sRGB or HEX codes as well.

Remember, when you’re printing, you’ll want to use CMYK or Grayscale (for B&W) when you upload your files to us for any type of printing services. You can use the online converter or Adobe to convert Pantone to CMYK to print any items needed like vinyl banners, stickers.

If your artwork is black and white, it’s a little different. You’ll need to save it in “Grayscale” mode. Submitting your files in the wrong color mode (Pantone), your colors may look off.

Pantone has a variety of matching color swatches that show off PMS colors. They will help you see how the colors will look when you’re printing in CMYK mode.

Make sure to convert all PMS to CMYK for photography prints, canvas printing or even foam printing.

In Photoshop, open your file, click the “Image” in the menu, select “Mode” and click CMYK. That’s about as easy as it gets!

Click “Edit,” then “Edit Colors” then “Convert to CMYK.” Then click on one of the Pantone colors twice. Next, click “Color Mode” on the menu and then click “CMYK.” Finally, go to “Color Type” menu and click “Process” then click “OK.”

First, click “Window“, then “Color and Swatches” . Then in the upper right corner, click the arrow before picking “Select All Unused“. Second, put all unused colors by clicking on the trashcan icon. Thirdly, click on one of the Pantone colors twice. Click “Color Mode“, then CMYK then “Color Type” then “Process“, then “OK“.

If you are ready to bring your idea into vivid printed product, please contact us today. No matter you need to print children’s books, catalogs, comics, journals or other projects, we can reproduce your artwork with our powerful cmyk color printing and leave a depth impress on your target audience.

cmyk printing service

 

References

[1] – https://www.g2.com/articles/rgb-vs-cmyk

[2] – https://intranet.mcad.edu/kb/cmyk-vs-rgb-what-color-space-should-i-work

[3] – https://www.xrite.com/blog/the-best-way-to-achieve-vibrant-colors-in-print

[4] – https://www.gflesch.com/blog/cmyk-printing

[5] – https://en.wikipedia.org/wiki/CMYK_color_model

[6] – https://en.wikipedia.org/wiki/RGB_color_model

[7] – https://www.techtarget.com/whatis/definition/RGB-red-green-and-blue

[8] – https://geraldbakker.nl/psnumbers/rgb-explained.html

[9] – https://www.reddit.com/r/graphic_design/comments/tk7zb1/cmyk_vs_rgb_file_prints/

[10] – https://www.printplace.com/blog/reasons-for-cmyk-printing/

[11] – https://blog.thenounproject.com/rgb-vs-cmyk-understanding-the-differences/

[12] – https://rmit.pressbooks.pub/colourtheory1/part/additive-and-subtractive-colour/

[13] – https://blog.thepapermillstore.com/color-theory-additive-subtractive-colors/

[14] – https://www.artworkflowhq.com/resources/rgb-vs-cmyk-everything-you-need-to-know

[15] – https://www.mimakiusa.com/blog/what-is-color-gamut-everything-you-need-to-know-about-color-gamut-and-printing/

[16] – https://www.linkedin.com/advice/0/what-most-common-color-gamut-limitations-printing-z6lpe

[17] – https://www.electronicofficesystems.com/2023/11/12/are-there-any-limitations-of-the-cmyk-color-model-in-large-format-printing/

[18] – https://helpx.adobe.com/photoshop/using/color-modes.html

[19] – https://helpx.adobe.com/indesign/using/color.html

[20] – https://royercomm.com/mastering-cmyk-color-a-guide-for-graphic-designers/

[21] – https://graphicdesign.stackexchange.com/questions/152475/best-practice-for-dual-cmyk-rgb-workflow-for-brand-assets

[22] – https://folio.procreate.com/discussions/4/10/45142

[23] – https://www.quora.com/What-color-profile-should-I-use-for-converting-to-CMYK-in-Photoshop

[24] – https://www.youtube.com/watch?v=rCR9nB00mGI

[25] – https://www.reddit.com/r/indesign/comments/xmcyea/when_is_it_really_worth_it_to_convert_rgb_to_cmyk/

[26] – https://graphicdesign.stackexchange.com/questions/130266/should-we-increase-saturation-and-brightness-on-cmyk-colors

[27] – https://www.reddit.com/r/Design/comments/11w4gtb/why_does_my_rgb_file_print_nicer_than_my_cmyk_file/

[28] – https://www.printmoz.com/blog/pantone-to-cmyk

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